During my 12 week Internship at the Bulletin I learnt many valuable lessons. For the most part, I spent my time in the features department of the newspaper interviewing solo artists, local bands, DJ’s, out of state acts and event coordinators. I did however get out into the field completing Vox Pop questionnaires as well as a few news stories. In this blog entry I will be taking a look back at my past 12 weeks, detailing my various responsibilities, analysing my performance and discussing the ethical issues I encountered.
Before I delve into my nostalgic entry, allow me to provide a brief overview of Townsville’s local newspaper. The Townsville Bulletin is responsible for covering news worthy events through out Townsville and the North/North West district. While keeping readers informed about regional politics, news and current affairs there is also a focus on local entertainment and human interest stories. With a broad circulation area, the paper aims to met the interests of readers within Townsville and abroad. In addition to this wide regional coverage, the paper also provides several pull out feature sections, Savvy, The Weekender and The Guide, which is where the majority of my articles were published.
As I was based in the features department, most of my interviews were conducted over the phone. Phone interviews were necessary as many of my interviewees were not in Townsville, as a result I did not step out of the office for the first few weeks. While the phone interviews were always successful, I could not help but compare them to traditional face to face interviews. Previous to my internship, all my interviews had been conducted in that manner so it was a bit of a switch for me. While I always received the necessary information and great quotes, I noticed upon re-playing my audio recording that I sounded disengaged from the conversation. I believe this was because I could not see my interviewee, there was no eye contact and I had no idea what they looked like. In the past I had always melded physical descriptions of the interviewees into my articles, something that could not be achieved through a phone interview. In order to fill this void, I would ask questions that were likely to lead to funny, quirky or intriguing little stories that I would be able to employ as opening anecdotes. Questions such as “Have there been any funny moments at previous performances?” “Was there a particular moment when you realized that you wanted to pursue music professionally?” or “What is your fondest memory from the road?” were all kept as backup prompters, in case the interviewee had not brought up interesting stories on their own. Once I had this tactic available to me, phone interviews become a lot more enjoyable and engaging for me.
The booking of photo sessions was another responsibility entrusted to me. Initially the hardest part for me was deciding on a location. The first photo session I book was with local vocalist Ebony Buckle, a young and pretty girl so I selected the memorial gardens in Thuringowa as I thought that would make a beautiful background. When the article and photo was published I noticed that the photo had been taken at a low angle, so the background was nothing but sky. I assume this was done so that Ebony was the focus of the photo rather then the gardens. After this experience I always had musicians, bands and DJ’s either photographed in their homes, practice space or at venues where they were playing. I believe this made the photographs more organic, while also being much easier for the talent as the environment was familiar to them.
On the occasion when I had finished all my allotted stories for the day, I would spend the afternoon reviewing Albums. This was a very comfortable practice for me as music is a great passion of mine and my ultimate career goal is to work at one of the music magazines in either America or the United Kingdom. In addition to my reviews, I was also required to do a few rewriting for pieces such as ‘cinema group’ where I would have to write a synopsis on a foreign film. On occasion I would also do mini-biographies on celebrities for Savvy Magazine. These little re-writes were easy enough as they only took 15 minutes to complete with the aid of a Google search.
On several occasions I was required to go out with a photographer to complete Vox Pop for either Savvy Magazine or topical news stories. For news stories I simply had to find two guys and two girls to answer a question that had been given to me by my mentor Isis Symes. This type of Vox Pop was very easy as it did not require me to think on the spot or do any deep digging in order to get the required information. The Vox Pops for Savvy however were much more in depth. Savvy required me to find one girl and one guy, ask them five random questions and then discover a little bit about them so I could write a blurb to accompany their photo. Coming up with the five random questions was easy enough, but trying to decipher something else from the talent required a little more thought. I chose to always start with the five random questions because this often led to an interesting answer, so I could ask the talent to tell me more about their answer. For example, one of my random questions was “What is the worst injury you ever had?” from the talents answer, I asked how did this injury happen? How old were you? And so on. The other problem I encountered with Vox Pops relates to time constraints. In order to quicken up my writing skills I chose not to take a recorder along on these expeditions. As I do not know short hand, I had to write brief disjointed notes. Even with these brief notes I found that it still took me a long jot down the talents answers. I have no doubt that there was some lost information as a result, but I figure the best way to improve my note taking skills was by going out and interviewing people on the fly. However, I do believe that it would help immensely if I were able to learn short hand in the future as I have no doubt it would be a beneficial skill to have.
The other responsibility that obviously fell into my hands was the actual writing of my features and news articles. The largest problem I had with feature articles was the overwhelming amount of information and quotes. I realise that it is better to have too much information as opposed to too little, but there were occasions when I simply didn’t know where to start. To overcome this I would start by constructing the body of the story first, leaving the lead for later. I found that once I started, the story would virtually write itself. As I went along I would rearrange and rewrite the article so that it had a better flow. I would also try and use a quirky anecdote as the lead in order to hook in my readers. While some of these tactics were employed in news writing, I did struggle a little bit more with news style.
When it came to news articles, the distribution of quotes and structure of the story was easy enough however, I found the lead intensely difficult to get right. During my 12 weeks, I only wrote four news articles, but I found these to be particularly painful. The chief of staff explained to me that my leads were far too serious, because me articles were accompanied with pictures, these are typically more light hearted stories. It took me a while to grasp what she was saying but then it hit me like a ton of bricks, I had been starting my soft news stories with hard news leads. Once I understood this, my leads did improve, but only after many rewrites.
Over the course of my internship I did run into a few ethical issues. One of the biggest ones occurred in my second week when the publicist of a hip hop artists asked if I would email him a copy of the story before it was published. I am sure this occurred because I have given him my JCU email address. I instinctively knew that I had the right to refuse but decided to consult some of the other reporters at the Bulletin. The decision was unanimous; no I should not send him a copy. I quickly wrote back to the publicist and explained in a polite manner that it would be unethical for me to send a copy of the article as it undermined my journalistic integrity. The next big mistake I made was failing to collect the contact details of my interviewees on two separate news stories. I believe I made this blunder because in the features department the contact phone numbers had been given to me, so I simply forgot with the news stories. This is a complete rookie mistake and I can hardly believe I did it. Needless to say, the one time I did not have my talents contact information was the one instance when I actually needed it. Upon returning to the Bulletin after interviewing a few army lieutenants, I realised that I actually did not understand most of what they had said. Fortunately there was a contact number on the press release so I was able to clear a few things up after that, but I got lucky.
Through out my internship I am proud to say that I met every deadline that I was given. If a story could not be completed it was because the talent was not answering their phone, and that was very rare. When I started my Internship at the Bulletin I was already a confident writer and interviewer, I had a bank load of musical knowledge which I drew on when interviewing musicians, writing and reviewing CDs. However, I also learnt some very important lessons throughout my 12 weeks. I learnt quickly that you can not depend on recording devices, as these failed me on several occasions. Fortunately I always take notes so I was able to go ahead with the story in these instances. I have since realised however that I do need to become more efficient with my note taking as it is clear that I write too slow. For the first few weeks my feature articles were heavily edited, with the paragraphs being rearranged and the lead changed completely. However, I quickly righted this by using either an interesting anecdote or the most important fact as the lead, and then allowing the story to flow from there.
Through my Internship I was able to experience first hand what it means to be a newspaper reporter and features writer. While mentors, staff and other resources were always available, it was me alone who had to research, interview, construct and perfect my copy. While support was present, I largely worked independently which meant that it was up to me to complete my set tasks and meet my deadlines. I learnt valuable lessons through out these 12 weeks as I was finally able to go out into the real world and put my textbook knowledge to the test.
Wednesday, November 4, 2009
Tuesday, October 20, 2009
Week 11 of Internship
Today I was based in the Newsroom. The first story I was given was on a RC helicopter competition being held over the weekend. I was given a media release and flyer for the event and that was it. This is definitely a change from the last few weeks because I did not know who I would be interviewing until I got out to the location. Usually I know exactly who I am interviewing because I am doing a phone interview and so I have to personally chase up the talent myself. In this instance I went out to the location with a photographer and basically asked around, “who has a good story? Who would make for a good interview?” I quickly found out that one of the “pilots” was from Sydney, which seemed a long way to travel for a toy helicopter competition.
Thankfully the guy was atheistically pleasing as well so the photographer and I thought the profile would work best if he was the subject. While I was only suppose to interview one person, another competitor obviously felt that his opinion was also worth sharing and kept answering questions that I was not directed at him. Fortunately the photographer caught on and she was able to distract him for long enough so I could interview the talent. By the time my interview had completed and photos had been taken, 45 minutes had passed!
Once I was back in the newsroom I was very concern about my story, I had not taken a voice recorder because I wanted to fasten up my writing pace. The real problem however is that the piece had to be a profile on one competitor but the information provided by the event co-coordinator was more informative about said event….go figure. In the end, I had to put some quotes in by the coordinator in order to get all the essential information in. Fortunately I found that once I started writing the piece came together very smoothly.
Once that story was compete, sorry complete, I was sent the media release about an event being held at the local RSA. The ceremony involved the presenting of blazers to RAR soldiers are going to compete in Cambrian Patrol in the London. The Cambrian Patrol is basically the commonwealth games of the Army. Once I had done up my questions I found that I had about an hour to kill until it was time to run out and do my interview
I headed out on my second story to the Townsville RSL, a lot more relaxed. But then when I walked in the door there was that moment of confusion, looking around the room who was looking at me and the photographer, with no idea who I was suppose to talk to. Luckily the events head chief made his way over to us. I asked him if there was anyone I could talk to who was going over to compete in the competition, and he introduced me to the right fellows. The interview went fine, the only problem was when more then one person was talking and I had to scribble down as much as I could catch from each guy.
After the interview and photos were done, I didn’t feel at all worried about the story until I got back to the news desk. The usually “where do I start?” question popped up and while I was writing the story I was definitely struggling to met my supposed length. In order to over come this I simply included some in-direct quotes, and then the piece came together fairly quickly towards the end.
However, once I had told the Chief of staff that my stories were done and in - she told me (after reading them) that I needed to work on me leads. She said that because they were picture stories the should be fun and bubbly "silly." This surprised me. I suppose with all my focus on feature writing over the past year I had forgotten the difference between hard and soft news. These were soft news stories but I was writing them like hard news - cold, sterile facts - bam bam bam. Needless to say it, going back to the computer and re-doing the leads seemed particularly painful. I had to re-ring one of my sources (whose contact was on their email) and basically re-interview him. I must admit I was pretty embarrassed that I had to do that, but at least it made me understand the story content better.
Another rookie mistake I made, and I don't even know why I did it, was failing to get the contact information from the people I interviewed! Something that has only been drilled into me from day one at JCU!! I have no idea how I managed to forget the devastatingly basic journalist tactic. In the end though, I managed to make do with the quotes I had and made the stories work. So my verdict for this week is, news journalism is alright but I know where my passion lies, so I am looking forward to returning to feature writing next week! :)
Thankfully the guy was atheistically pleasing as well so the photographer and I thought the profile would work best if he was the subject. While I was only suppose to interview one person, another competitor obviously felt that his opinion was also worth sharing and kept answering questions that I was not directed at him. Fortunately the photographer caught on and she was able to distract him for long enough so I could interview the talent. By the time my interview had completed and photos had been taken, 45 minutes had passed!
Once I was back in the newsroom I was very concern about my story, I had not taken a voice recorder because I wanted to fasten up my writing pace. The real problem however is that the piece had to be a profile on one competitor but the information provided by the event co-coordinator was more informative about said event….go figure. In the end, I had to put some quotes in by the coordinator in order to get all the essential information in. Fortunately I found that once I started writing the piece came together very smoothly.
Once that story was compete, sorry complete, I was sent the media release about an event being held at the local RSA. The ceremony involved the presenting of blazers to RAR soldiers are going to compete in Cambrian Patrol in the London. The Cambrian Patrol is basically the commonwealth games of the Army. Once I had done up my questions I found that I had about an hour to kill until it was time to run out and do my interview
I headed out on my second story to the Townsville RSL, a lot more relaxed. But then when I walked in the door there was that moment of confusion, looking around the room who was looking at me and the photographer, with no idea who I was suppose to talk to. Luckily the events head chief made his way over to us. I asked him if there was anyone I could talk to who was going over to compete in the competition, and he introduced me to the right fellows. The interview went fine, the only problem was when more then one person was talking and I had to scribble down as much as I could catch from each guy.
After the interview and photos were done, I didn’t feel at all worried about the story until I got back to the news desk. The usually “where do I start?” question popped up and while I was writing the story I was definitely struggling to met my supposed length. In order to over come this I simply included some in-direct quotes, and then the piece came together fairly quickly towards the end.
However, once I had told the Chief of staff that my stories were done and in - she told me (after reading them) that I needed to work on me leads. She said that because they were picture stories the should be fun and bubbly "silly." This surprised me. I suppose with all my focus on feature writing over the past year I had forgotten the difference between hard and soft news. These were soft news stories but I was writing them like hard news - cold, sterile facts - bam bam bam. Needless to say it, going back to the computer and re-doing the leads seemed particularly painful. I had to re-ring one of my sources (whose contact was on their email) and basically re-interview him. I must admit I was pretty embarrassed that I had to do that, but at least it made me understand the story content better.
Another rookie mistake I made, and I don't even know why I did it, was failing to get the contact information from the people I interviewed! Something that has only been drilled into me from day one at JCU!! I have no idea how I managed to forget the devastatingly basic journalist tactic. In the end though, I managed to make do with the quotes I had and made the stories work. So my verdict for this week is, news journalism is alright but I know where my passion lies, so I am looking forward to returning to feature writing next week! :)
Saturday, October 10, 2009
Week 10 of Internship
Well unfortunately I was not able to go into the Bulletin last week because I was sick, but I mostly made up for that this week. Over the weekend I worked on a feature article for Savvy titled "Naturopathy vs Modern Medicine." I had conducted an interview with a Naturopath last year for writing assignment, so I was so happy that I was able to use that material and actually get it published! The interview had been taped, so I did a re-transcript (because I lost the last one) and then went from there. To ensure that the piece was balanced, I also decided to interview on of my friends who is studying medicine. As she is a busy girl, I had to email her the questions. Usually I would never do this - but my questions were quiet complex and the did need a little digesting time before being answered. I knew that if I were to ask her the questions in a typical interview I would have received far less articulate and thoughtful answers. Fortunately, she answered my questions brilliantly - the next challenge however was piecing it all together.
It is very easy to form a solid story when you have only interviewed one person and the theme of the story is obvious. In this instance however, I had two voices to work with and a number or subjects to explore. I also knew that I could not favour one for of medical treatment over another, so I had to end the story on neutral terms. I got the basic crux of the story done on Monday, and I decided not to look at it again until I was in the office on Friday. Fortunately that break had allowed me to return with fresh eyes. I was able to re-arrange the paragraphs and rewrite the ending so that the story flowed better.
Isis has also given me two 'filler' stories that will most likely be used during the Nov/Dec period when "all stories just dry up and this isn't much happening" as Isis said. I got most of one story done, but still need to contact another performer for some quotes to through in. Both articles are about open mic nights - just held at different venues - one is at the Riverside Tavern and the other is hosted by the folk club at the Bellview hotel. So I will just be working on these pieces over my last few weeks.
Isis was absolutely loaded with stories on Friday, so at 1:15pm she asked me if I could do one of her interviews which was slotted in at 2pm. The story was on a hip-hop duo Koolism, who are headlining at the Full Noise festival next weekend. I quickly read through the media release, myspace page and bio. I scribbled down my questions as they came to me and then re-wrote them in a more cronilogical - linear order. I continued chipping away at another story until 2pm hit and then I rang Dan - the Dj behind Koolism. The interview went great - 15 minutes which is more then enough for a 600 word article. Once I produced the transcript I had the age old predicument or "Where the hell do I start?" In these instances, I find that you just need to start writing - you can change the lead and structure later - but you need to just start forming the body of the story. I found that the article came together quiet easy once I begun.
Linda informed me two weeks ago that a one of the requirments of my internship is to produce three news articles, so next week I will be in the newsroom. Now, I am not going to lie - I am not looking forward to next week! News really isn't my passion at all, but since I am there...and since I have to do it anyway....I will....and hopefully I will do it well. Until next week fellow bloggers!
It is very easy to form a solid story when you have only interviewed one person and the theme of the story is obvious. In this instance however, I had two voices to work with and a number or subjects to explore. I also knew that I could not favour one for of medical treatment over another, so I had to end the story on neutral terms. I got the basic crux of the story done on Monday, and I decided not to look at it again until I was in the office on Friday. Fortunately that break had allowed me to return with fresh eyes. I was able to re-arrange the paragraphs and rewrite the ending so that the story flowed better.
Isis has also given me two 'filler' stories that will most likely be used during the Nov/Dec period when "all stories just dry up and this isn't much happening" as Isis said. I got most of one story done, but still need to contact another performer for some quotes to through in. Both articles are about open mic nights - just held at different venues - one is at the Riverside Tavern and the other is hosted by the folk club at the Bellview hotel. So I will just be working on these pieces over my last few weeks.
Isis was absolutely loaded with stories on Friday, so at 1:15pm she asked me if I could do one of her interviews which was slotted in at 2pm. The story was on a hip-hop duo Koolism, who are headlining at the Full Noise festival next weekend. I quickly read through the media release, myspace page and bio. I scribbled down my questions as they came to me and then re-wrote them in a more cronilogical - linear order. I continued chipping away at another story until 2pm hit and then I rang Dan - the Dj behind Koolism. The interview went great - 15 minutes which is more then enough for a 600 word article. Once I produced the transcript I had the age old predicument or "Where the hell do I start?" In these instances, I find that you just need to start writing - you can change the lead and structure later - but you need to just start forming the body of the story. I found that the article came together quiet easy once I begun.
Linda informed me two weeks ago that a one of the requirments of my internship is to produce three news articles, so next week I will be in the newsroom. Now, I am not going to lie - I am not looking forward to next week! News really isn't my passion at all, but since I am there...and since I have to do it anyway....I will....and hopefully I will do it well. Until next week fellow bloggers!
Saturday, September 26, 2009
week 8 of Internship
For Week 8 of my internship I had to finish up a piece that was left over from last week, I also had to a box plot for Savvy and interview a local group who have organised an open mic night. However, I also received one very exciting job, an interview with Brisbane band and one of the feature artists from Triple J's unearthed artists - Hungry Kids of Hungry!
Like last week I had two hours to "kill" before any of my interviewees were available. I simply used this time to research, and organise my questions while tightening up the article that was left over from last week (which was incomplete as there was a second party I had to interview but whom I could not get in contact with last week).
All of interviews went great and my interviewees gave me brilliant answers which made writing the stories much easier. The interview with the Hungry Kids of Hungry was an interesting one as the front man almost gave me too much information! Don't get me wrong, too much is far better than too little but when I first looked at the transcript I felt a little overwhelmed by the amount of information that was there! Over the weeks I have sort of come up with a system, building the body of the story first and then using whatever quirky anecdote the interviewee reveals as the lead. Then I usually link the bottom paragraph to the top paragraph. This isn't what I do for every single article, but it is usefully whenever I am feeling overwhelmed by the mass of information I have collected.
Till next week my fellow interns....
Like last week I had two hours to "kill" before any of my interviewees were available. I simply used this time to research, and organise my questions while tightening up the article that was left over from last week (which was incomplete as there was a second party I had to interview but whom I could not get in contact with last week).
All of interviews went great and my interviewees gave me brilliant answers which made writing the stories much easier. The interview with the Hungry Kids of Hungry was an interesting one as the front man almost gave me too much information! Don't get me wrong, too much is far better than too little but when I first looked at the transcript I felt a little overwhelmed by the amount of information that was there! Over the weeks I have sort of come up with a system, building the body of the story first and then using whatever quirky anecdote the interviewee reveals as the lead. Then I usually link the bottom paragraph to the top paragraph. This isn't what I do for every single article, but it is usefully whenever I am feeling overwhelmed by the mass of information I have collected.
Till next week my fellow interns....
Friday, September 18, 2009
Week seven of Internship
Week seven of my internship was a slow one...to begin with anyway. The first two hours were spent playing phone tag with my interviewees, but I chose to use this time to re-work question and do whatever research I could. I had three stories to complete for The Guide and one for Savvy. The Guide stories were an interview with a pianist who was performing two shows in Townsville, a local DJ who won the coveted opening spot at Godskitchen Worldwide and a profile of local band who were entering battle of the bands.
Now, the only probably with band and DJ interviews is that the likely hood of them answering their phone at 9:30 in the morning is slim, at best. Needless to say I left voice messages but continued to ring every 20/30 minutes anyway...just in case. I knew I had to go out with a photographer at 2pm and I had to ring the pianist at 11am (as this was the only time he was available) so I had to try and organise my other stories around these factors. As fate would have it, at 10:50 the local band returned my phone call! I apologised and asked if it was ok if I rang him back in 15 minutes because I had another interview lined up, Lucky he was a very mellow guy so that didn't bother him at all.
The interview with pianist went great and he gave me some great quotes. So, I rang the local band back to discover that my interviewee was in the middle of ordering Subway - but he wanted to do the interview anyway...DO NOT DO THIS! A few minutes into the interview I knew this was a mistake, I don't know if my interviewee was just shy or if he was simply more interested in his lunch then doing an interview. It was one of those situation where I would ask a question like "So are your lyrics taken from personal experience or are they more general?" and he would respond with "Yeah, some are taken from personal experience and some are general."
I got the impression that normally he would have been a good interviewee, but I just rang at the wrong time. Fortunately I have another person I am going to interview next week to get some background info on the "battle of the bands" comp, so I am going to combine the two lots of information and I am sure it will turn out fine.
The DJ I had interview was much more giving. She had a really vibrant personally and gave great quotes, so writing her story was very easy. However, I have to admit that while I am a BIG music freak I have absolutely no interest in techno/DJing. This was very obvious as she was talking about House Music vs Trace music and who her influences were. I had to ask her about seven times how to spell the names of the DJ's she admired...despite what you have heard ignorance is not bliss...but besides that I really did enjoy the story -both the interview and the writing of it.
In the afternoon I went out with the photographer (yes out into the real world!) to do the "5 minutes with and "A guy's view" for Savvy. We went to the JCU creative Art building as the Photographer was also taking pictures for another news story. Honestly, I was feeling a little nervous about going up to complete strangers, but honestly the hardest part was the first 10 seconds when you go up and introduce yourself - after that it was smooth sailing. And as it turns out, Uni kids are more than happy to talk to journo's - if it means they don't have to work on their uni assignment for 10 minutes.
I ran back to the bulletin, put the finishing touches on the DJ story and then quickly wrote up the four Savvy interviews I had done. While Week seven began slowly I was in a made rush by the end of the day to get everything done. I did really enjoy this week however, because I was really feeling the pressure of time - something I haven't felt most weeks.
Now, the only probably with band and DJ interviews is that the likely hood of them answering their phone at 9:30 in the morning is slim, at best. Needless to say I left voice messages but continued to ring every 20/30 minutes anyway...just in case. I knew I had to go out with a photographer at 2pm and I had to ring the pianist at 11am (as this was the only time he was available) so I had to try and organise my other stories around these factors. As fate would have it, at 10:50 the local band returned my phone call! I apologised and asked if it was ok if I rang him back in 15 minutes because I had another interview lined up, Lucky he was a very mellow guy so that didn't bother him at all.
The interview with pianist went great and he gave me some great quotes. So, I rang the local band back to discover that my interviewee was in the middle of ordering Subway - but he wanted to do the interview anyway...DO NOT DO THIS! A few minutes into the interview I knew this was a mistake, I don't know if my interviewee was just shy or if he was simply more interested in his lunch then doing an interview. It was one of those situation where I would ask a question like "So are your lyrics taken from personal experience or are they more general?" and he would respond with "Yeah, some are taken from personal experience and some are general."
I got the impression that normally he would have been a good interviewee, but I just rang at the wrong time. Fortunately I have another person I am going to interview next week to get some background info on the "battle of the bands" comp, so I am going to combine the two lots of information and I am sure it will turn out fine.
The DJ I had interview was much more giving. She had a really vibrant personally and gave great quotes, so writing her story was very easy. However, I have to admit that while I am a BIG music freak I have absolutely no interest in techno/DJing. This was very obvious as she was talking about House Music vs Trace music and who her influences were. I had to ask her about seven times how to spell the names of the DJ's she admired...despite what you have heard ignorance is not bliss...but besides that I really did enjoy the story -both the interview and the writing of it.
In the afternoon I went out with the photographer (yes out into the real world!) to do the "5 minutes with and "A guy's view" for Savvy. We went to the JCU creative Art building as the Photographer was also taking pictures for another news story. Honestly, I was feeling a little nervous about going up to complete strangers, but honestly the hardest part was the first 10 seconds when you go up and introduce yourself - after that it was smooth sailing. And as it turns out, Uni kids are more than happy to talk to journo's - if it means they don't have to work on their uni assignment for 10 minutes.
I ran back to the bulletin, put the finishing touches on the DJ story and then quickly wrote up the four Savvy interviews I had done. While Week seven began slowly I was in a made rush by the end of the day to get everything done. I did really enjoy this week however, because I was really feeling the pressure of time - something I haven't felt most weeks.
Friday, September 11, 2009
Josh Rawiri profile
A bon fire lights up a Broome beach, as musician Josh Rawiri chows down on Kangaroo while learning how to make a rope from the animals skin.
`I was up in Broome and playing a gig when I met this bloke who taught me how to run under water, we ate kangaroo and he taught me how to utilies the animal by make a rope from its skin` said Josh.
`One of the best parts about being a musician is the people I get to meet,` he said.
Following the release of his debut album, Josh is returning to Townsville on the back of his national tour.
`I have been to Townsville one time before, lots of young people who like to party but also a nice place to relax and take it easy,` he said.
After spending 12 months writing the album, Josh is happy to see the music translate live.
`It is really good to play live and interact with people,'
`The album is really diverse which is good, because there is nothing worse then when each song sounds the same as the next,` he said.
`I really did not want to make an album like that.`
With influences such as Bob Marley, Ben Harper, John Butler and rock bands like Led Zeppelin, Josh has developed a unique sound.
`It is a fusion between rock, reggae and blues with guitar work.`
`They aim of my music is to get people together so people can let go of their inhibitions and interact with each other,` he said.
A self taught musician with the ability to play four types of guitar, harmonica and sing, it is hard to believe that Josh original started out as a chef.
`After I finished my chief course I decided I wanted to follow through with music,'
`I started off playing Sunday sessions and then went on to open mic nights,` he said.
One of Josh's more memorable gigs occurred at the Bondi Hotel.
`A footy team were really excited by the music and everything, a few of them got naked, that was defiantly one of the funniest things I have seen.`
Kangaroo skin rope and naked footballers - no doubt that Josh will collect more memorable tales as he continues his national tour around Australia.
Joshs Townsville gigs are September 18 The Exchange Hotel, September 24 Molly Malones, September 25 The Australian, September 26 The Imperial Hotel and October 1 Molly Malones, all at 8:00pm
`I was up in Broome and playing a gig when I met this bloke who taught me how to run under water, we ate kangaroo and he taught me how to utilies the animal by make a rope from its skin` said Josh.
`One of the best parts about being a musician is the people I get to meet,` he said.
Following the release of his debut album, Josh is returning to Townsville on the back of his national tour.
`I have been to Townsville one time before, lots of young people who like to party but also a nice place to relax and take it easy,` he said.
After spending 12 months writing the album, Josh is happy to see the music translate live.
`It is really good to play live and interact with people,'
`The album is really diverse which is good, because there is nothing worse then when each song sounds the same as the next,` he said.
`I really did not want to make an album like that.`
With influences such as Bob Marley, Ben Harper, John Butler and rock bands like Led Zeppelin, Josh has developed a unique sound.
`It is a fusion between rock, reggae and blues with guitar work.`
`They aim of my music is to get people together so people can let go of their inhibitions and interact with each other,` he said.
A self taught musician with the ability to play four types of guitar, harmonica and sing, it is hard to believe that Josh original started out as a chef.
`After I finished my chief course I decided I wanted to follow through with music,'
`I started off playing Sunday sessions and then went on to open mic nights,` he said.
One of Josh's more memorable gigs occurred at the Bondi Hotel.
`A footy team were really excited by the music and everything, a few of them got naked, that was defiantly one of the funniest things I have seen.`
Kangaroo skin rope and naked footballers - no doubt that Josh will collect more memorable tales as he continues his national tour around Australia.
Joshs Townsville gigs are September 18 The Exchange Hotel, September 24 Molly Malones, September 25 The Australian, September 26 The Imperial Hotel and October 1 Molly Malones, all at 8:00pm
Tim Griffin Profile
Local family man Tim Griffin is about to exchange his blue collar status for a guitar strap, as he heads to Bayron Bay to record his debut album.
“I’m singing for all the battlers of the world,” he said.
Tim’s blues, roots and reggae influence music is accompanied by personal lyrics inspired by his own life.
“I write about real experiences and that’s why it connects to people, because it’s the same thing everyone goes through,’
“I’ve written one song called the “Company man” after I was pissed off at work,’ he said with a chuckle.
After working odd jobs at meat works and other non-descript occupations that “nobody else wanted to do,” Tim’s dream is becoming a reality.
“All my friends are really excited saying this is my big break but I’m just trying to keep my mind on the job so I can go down there and do my best.”
Tim is definitely a local boy, with one song on the album titled “King of Castle Hill.”
“The song is basically about what naughty people get up to when they go up to Castle Hill,” Tim said laughing.
“I really want to put something out that Townsville can be pound of just trying to keep my head in check at the moment,” he said.
One of Tim’s biggest highlights over the years has been meeting his mentor and friend Willie Hona.
“He was in a New Zealand called “Herbs” that were really popular in 80s.”
“Willie Hona is the father of South Pacific Reggae, not only has he influenced me musically but personally, he is a very humble man,”
A trait that Tim himself certainly possesses.
“I have sixteen songs ready to go when I hit the studio,” said Tim.
“I have been playing this stuff around Townsville for the past 8 years, a catalogue from the last 10 years of songs I have written in that time.”
“You know they have stood the test of time because I can play them now and it sounds like they have just been written.”
Lately, Tim has made a move towards more positive lyrics.
“Of late I have been focusing on up lifting peoples spirits,’
“Trying to write a lot of positive songs to show people who are done in the dumps that there is a lot of life out there to be lived.”
At the end of the day however, Tim says it is his family that inspire him the most.
“Everyone out there that knows me knows that I couldn’t have done this without the support of my family.”
Balancing a blue collar on his neck and a guitar strap across his back, Tim’s most important role is the hat of a family man.
“I’m singing for all the battlers of the world,” he said.
Tim’s blues, roots and reggae influence music is accompanied by personal lyrics inspired by his own life.
“I write about real experiences and that’s why it connects to people, because it’s the same thing everyone goes through,’
“I’ve written one song called the “Company man” after I was pissed off at work,’ he said with a chuckle.
After working odd jobs at meat works and other non-descript occupations that “nobody else wanted to do,” Tim’s dream is becoming a reality.
“All my friends are really excited saying this is my big break but I’m just trying to keep my mind on the job so I can go down there and do my best.”
Tim is definitely a local boy, with one song on the album titled “King of Castle Hill.”
“The song is basically about what naughty people get up to when they go up to Castle Hill,” Tim said laughing.
“I really want to put something out that Townsville can be pound of just trying to keep my head in check at the moment,” he said.
One of Tim’s biggest highlights over the years has been meeting his mentor and friend Willie Hona.
“He was in a New Zealand called “Herbs” that were really popular in 80s.”
“Willie Hona is the father of South Pacific Reggae, not only has he influenced me musically but personally, he is a very humble man,”
A trait that Tim himself certainly possesses.
“I have sixteen songs ready to go when I hit the studio,” said Tim.
“I have been playing this stuff around Townsville for the past 8 years, a catalogue from the last 10 years of songs I have written in that time.”
“You know they have stood the test of time because I can play them now and it sounds like they have just been written.”
Lately, Tim has made a move towards more positive lyrics.
“Of late I have been focusing on up lifting peoples spirits,’
“Trying to write a lot of positive songs to show people who are done in the dumps that there is a lot of life out there to be lived.”
At the end of the day however, Tim says it is his family that inspire him the most.
“Everyone out there that knows me knows that I couldn’t have done this without the support of my family.”
Balancing a blue collar on his neck and a guitar strap across his back, Tim’s most important role is the hat of a family man.
Week six of internship
Week six of my Internship was excellent! I firstly got to do an interview with a local musician Tim Griffin who has been working the Townsville pub scene for the past 10 years. Tim has decided to finance his own debut album and release it independently. He made for a great interview and gave some really great quotes. Originally the piece was only suppose to be 300 words but I felt the story really deserved more and Isis told be to go for it and write what ever length I felt was necessary. I was thankfully for this because it meant I got to include a lot of interesting information and paint a more full picture of the musician then I would have been able to in the smaller word limit.
The second story I had for the day was an interview with a musician Josh Rawiki who had recently released his debut album. Josh had had a bit of a crappy morning with his tyres blowing out while he was driving to a gig so I was glad that I even got the interview. I was a bit worried afterwards as I hadn’t nailed down any great stand out or inspiring quotes. Luckily however I did receive to anecdotes from the musician so I was able to include those, which was great as it gave the piece was colour.
The third story I received actually required me to leave the office...yes you heard correct folks, no phone interview for this one!! A face to face interview with the manager from DanceNorth studio. Now admittedly the story only had to be 150 words but I was pretty happy that I was finally getting to meet one of my interviewees instant of talking to a disembodied voice. I actually walked to meet my interviewee as DanceNorth studios is just around the corner from the Bulletin. That was convenient as I had to meet the manager at 11am and be back at the office to interview Josh the musician at 12pm sharp. All in all week seven was a very productive week, while same may look and think I ONLY had three stories, I didn’t stop once all day! It was great. :) And to top it off I will have three full length profiles in next week Guides so believe me I am a very happy intern.
The second story I had for the day was an interview with a musician Josh Rawiki who had recently released his debut album. Josh had had a bit of a crappy morning with his tyres blowing out while he was driving to a gig so I was glad that I even got the interview. I was a bit worried afterwards as I hadn’t nailed down any great stand out or inspiring quotes. Luckily however I did receive to anecdotes from the musician so I was able to include those, which was great as it gave the piece was colour.
The third story I received actually required me to leave the office...yes you heard correct folks, no phone interview for this one!! A face to face interview with the manager from DanceNorth studio. Now admittedly the story only had to be 150 words but I was pretty happy that I was finally getting to meet one of my interviewees instant of talking to a disembodied voice. I actually walked to meet my interviewee as DanceNorth studios is just around the corner from the Bulletin. That was convenient as I had to meet the manager at 11am and be back at the office to interview Josh the musician at 12pm sharp. All in all week seven was a very productive week, while same may look and think I ONLY had three stories, I didn’t stop once all day! It was great. :) And to top it off I will have three full length profiles in next week Guides so believe me I am a very happy intern.
Friday, September 4, 2009
Week five of Internship
For my fifth week at the Bulletin I was assigned two stories and then a short re-write piece. The first story was a profile on local band Voodoo cats. I was extremely happy to do this piece because not only do I love profile but anything to do with music is an easy sell for me. When I was given the story, I recognised the band name and realised that I had actually seen them perform on numerous occasions at one of my previous waitressing jobs. So it was great that I already knew who they were. The interview went well, and it was the first time I have ever interviewed more than one person at a time (speaker phone - two piece band- you do the math). Writing the story went fairly well, I knew straight way that there were 3 different ways I could write the story, the hardest part however was choosing a catchy lead and a neat tie off for the ending. I chose to go with the classic technique of linking the last paragraph to the first. Fingers crossed that editor approves and performs only minimal changes to the piece.
The second write up was on an Elvis and Roy Orbinson Tribute show at Jupiters. The usually phone tag situation occurred where I'd ring the contact they wouldn't answer and they would ring me when I had stepped away from my computer. This was a little frustrating because I need to get into contact with Jupiters to get the contact number of one of the performers that I needed to interview. Fortunately I had done my first two stories before 12 so at least I had a bit of time to play with.
After I got into contact with Jupiters, I was told that there were only a handful of tickets left, and those were expected to be sold by the end of the day. Which made me think - is there any point in writing an article about an "Amazing Tribute Show" that no-one can get tickets too? Unfortunately both Isis and the feature editor were not in, and the chief of staff was also a bit unsure about whether or not to write the article.
After talking to the women who use to edit the Guide, she suggested that I write a little 100-200 word piece on the Jupiters Tribute show. I never recieved the contact information from Jupiters, but because I only had to write 100 words it didn't matter, I just used the little information I had. For the rest of the afternoon I did a couple of re-writes from media releases. The thing that is challenging with these pieces is the temptation to spit out the information and not putting a great deal of effort into them - because they are only 100 words. I am trying not to have that attitude, and to care about every little story and blurb I write, but the temptation is always there!
The second write up was on an Elvis and Roy Orbinson Tribute show at Jupiters. The usually phone tag situation occurred where I'd ring the contact they wouldn't answer and they would ring me when I had stepped away from my computer. This was a little frustrating because I need to get into contact with Jupiters to get the contact number of one of the performers that I needed to interview. Fortunately I had done my first two stories before 12 so at least I had a bit of time to play with.
After I got into contact with Jupiters, I was told that there were only a handful of tickets left, and those were expected to be sold by the end of the day. Which made me think - is there any point in writing an article about an "Amazing Tribute Show" that no-one can get tickets too? Unfortunately both Isis and the feature editor were not in, and the chief of staff was also a bit unsure about whether or not to write the article.
After talking to the women who use to edit the Guide, she suggested that I write a little 100-200 word piece on the Jupiters Tribute show. I never recieved the contact information from Jupiters, but because I only had to write 100 words it didn't matter, I just used the little information I had. For the rest of the afternoon I did a couple of re-writes from media releases. The thing that is challenging with these pieces is the temptation to spit out the information and not putting a great deal of effort into them - because they are only 100 words. I am trying not to have that attitude, and to care about every little story and blurb I write, but the temptation is always there!
Voodoo Cats profile
It was a Friday night in a low-lit restaurant, local band Voodoo Cats were performing and doing everything within their power to keep a straight face.
“I was playing the piano and this drunk woman was doing a Scooby Doo interpretation two inches from my face, it was pretty hard not to laugh,” said Lisha.
Voodoo Cats is made up of Lisha Kayrooz on piano and melodica and Nicholas Mitchell performing lead vocals, guitar, and stomp box.
“We can get a dance beat going with the stomp box or a mellow feel with the piano,” said Nicholas.
The acoustic duo focuses mainly on blues, roots and reggae, with much of their set-list formed from older and sometimes lesser known tunes.
“If you were to look at our repetiteur you would see a wide range from Cat Stevens and Eric Clapton up to Cold Play,” said Lisha.
Voodoo Cats aim to bring a fresh sound to their slightly more aged radio hit covers.
“We change the arrangements around so it is more unique and suited to what we do, reinterpreting them,’
“We get a lot of good feedback on our song choice,” said Lisha.
This wide range is a reflection of their own personal music preferences “I Like different styles of music pop-rock, soul and Rn’B” said Lisha
“I like Beatles but I also like heavier stuff like tool so there is a wide range,” said Nicholas.
Voodoo cats pet project for the last few months has been creating a lounge feel at Irish Finnegans.
“We play Friday and Saturday nights offering an alternative to loud pub rock,’
“People can chill out without being drowned out by loud music,” said Lisha.
In between their regular performances, Voodoo cats also perform at functions and weddings.
“The songs that get the best reactions are “I’m yours” Jason Mraz and “This is love” David Gray, which seems out of place because it is this big love ballad but it gets a very positive response,” said Nicholas.
Fingers crossed that those positive responses continue, minus the Scooby Doo interpretations.
“I was playing the piano and this drunk woman was doing a Scooby Doo interpretation two inches from my face, it was pretty hard not to laugh,” said Lisha.
Voodoo Cats is made up of Lisha Kayrooz on piano and melodica and Nicholas Mitchell performing lead vocals, guitar, and stomp box.
“We can get a dance beat going with the stomp box or a mellow feel with the piano,” said Nicholas.
The acoustic duo focuses mainly on blues, roots and reggae, with much of their set-list formed from older and sometimes lesser known tunes.
“If you were to look at our repetiteur you would see a wide range from Cat Stevens and Eric Clapton up to Cold Play,” said Lisha.
Voodoo Cats aim to bring a fresh sound to their slightly more aged radio hit covers.
“We change the arrangements around so it is more unique and suited to what we do, reinterpreting them,’
“We get a lot of good feedback on our song choice,” said Lisha.
This wide range is a reflection of their own personal music preferences “I Like different styles of music pop-rock, soul and Rn’B” said Lisha
“I like Beatles but I also like heavier stuff like tool so there is a wide range,” said Nicholas.
Voodoo cats pet project for the last few months has been creating a lounge feel at Irish Finnegans.
“We play Friday and Saturday nights offering an alternative to loud pub rock,’
“People can chill out without being drowned out by loud music,” said Lisha.
In between their regular performances, Voodoo cats also perform at functions and weddings.
“The songs that get the best reactions are “I’m yours” Jason Mraz and “This is love” David Gray, which seems out of place because it is this big love ballad but it gets a very positive response,” said Nicholas.
Fingers crossed that those positive responses continue, minus the Scooby Doo interpretations.
Friday, August 28, 2009
Ebony Buckle Story - "London Calling"
Of the 3000 performers who audition for a place at London's Mountview Academy of Theatre Arts every year, only 25 are accepted.
One of them is Townsville vocalist Ebony Buckle, who will take up a spot at the prestigious British academy next month.
But the 22-year-old Townsville vocalist, who is finishing her Bachelor of Music at the University of Queensland, skipped the rigorous audition process.
Ebony won her place after her singing teacher, Joseph Ford, recommended she have a lesson with the academy's director.
"After that lesson he offered me a place, although you normally have to audition,'' Ebony said.
`The course is actually a Masters in Music Theatre. We study ballet, tap and jazz dancing, acting, stage combat training, film and television as well.'
"It makes us quite well rounded so we can get a job in a few different fields.'
"It is an intensive course with full days, 40 hours a week.''
At the end of the one-year course, students participate in a showcase, where Ebony is hopeful of attracting an agent in her bid to make a full-time career out of musical theatre.
"My dream is to make it on the West End and Broadway,'' she said.
"I have been learning classical music for the last three and a half years but my passion is in musical theatre.''
Ebony sought out more extensive vocal training after competing in the Townsville Eisteddfod 10 years ago.
Since then she has been an active participant in local musicals, including the Townsville Choral and Orchestral Society's Les Miserables last year.
"I have also studied acting since I was six, and I have been in a few plays,'' she said.
She's dabbled in the Brisbane music scene, forming a band with some friends recently.
"We covered a Radiohead song and performed originals.'
"That was really fun,'' she said.
In betweeen her studies, Ebony has also found time to perform at weddings, funerals and functions.
"I was singing in a choir concert once and I feel asleep. The orchestra was playing, and it must have been very relaxing,` she said with a laugh.
While Ebony will not be able to do any professional work during her time at the London academy, she will still be able to get her stage fix.
"We do put on a Shakespeare play and a musical in the time we are there," she said.
One of them is Townsville vocalist Ebony Buckle, who will take up a spot at the prestigious British academy next month.
But the 22-year-old Townsville vocalist, who is finishing her Bachelor of Music at the University of Queensland, skipped the rigorous audition process.
Ebony won her place after her singing teacher, Joseph Ford, recommended she have a lesson with the academy's director.
"After that lesson he offered me a place, although you normally have to audition,'' Ebony said.
`The course is actually a Masters in Music Theatre. We study ballet, tap and jazz dancing, acting, stage combat training, film and television as well.'
"It makes us quite well rounded so we can get a job in a few different fields.'
"It is an intensive course with full days, 40 hours a week.''
At the end of the one-year course, students participate in a showcase, where Ebony is hopeful of attracting an agent in her bid to make a full-time career out of musical theatre.
"My dream is to make it on the West End and Broadway,'' she said.
"I have been learning classical music for the last three and a half years but my passion is in musical theatre.''
Ebony sought out more extensive vocal training after competing in the Townsville Eisteddfod 10 years ago.
Since then she has been an active participant in local musicals, including the Townsville Choral and Orchestral Society's Les Miserables last year.
"I have also studied acting since I was six, and I have been in a few plays,'' she said.
She's dabbled in the Brisbane music scene, forming a band with some friends recently.
"We covered a Radiohead song and performed originals.'
"That was really fun,'' she said.
In betweeen her studies, Ebony has also found time to perform at weddings, funerals and functions.
"I was singing in a choir concert once and I feel asleep. The orchestra was playing, and it must have been very relaxing,` she said with a laugh.
While Ebony will not be able to do any professional work during her time at the London academy, she will still be able to get her stage fix.
"We do put on a Shakespeare play and a musical in the time we are there," she said.
Week four of Internship
My fourth week at the Bulletin was very quiet indeed. Not only did I have my little cubicle section to myself, but I didn't actually have to conduct any interview. Instead, I just had three short stories I had to construct from media releases.
One piece was 300 word blurb on the Cinema Sessions held at the Warrina Cinema complex, the next was a small blurb on a CD competition the Guide has put on and the last was 150 words on the Hilltop Hoods return to Townsville. The last piece was mostly about ticket information. I did contact the manager for information on ticket prices and where they were available from etc, and while he had an idea - he wanted to email me the information. Which I won't get until Monday, so I will have to forward to my mentor Isis anyway. With Isis sick and Ralph (my other co-cubicle journalist) away, I didn't have a great deal too do. The editor had given me these three story when I arrived and I had finished them by 12. I checked to see if there were any other stories or little snippets I could help her with but most of the stuff had been taken care of. So to help fill in the time I did three CD reviews, which was fine by me. :)
I have acquired a new goal however...I have noticed my last two published articles (longer pieces between 200-400 words) have been sufficiently edited. Most of the changes were structual with the order of paragraphs being re-arranged. However, in both instances my lead had been pulled from a later paragraph. So my goal for the duration of my internship is to stop BURYING the lead, and if possible have very few or...possibly even no changes to my published work. I am not disappointed by the changes, in fact I am glad I have something to work on. After all this is what this internship is about, learning and bettering yourself as a writer. While this week was comparatively quiet, I have a sneaking suspicion that next week will be much busier. Until next week folks....
One piece was 300 word blurb on the Cinema Sessions held at the Warrina Cinema complex, the next was a small blurb on a CD competition the Guide has put on and the last was 150 words on the Hilltop Hoods return to Townsville. The last piece was mostly about ticket information. I did contact the manager for information on ticket prices and where they were available from etc, and while he had an idea - he wanted to email me the information. Which I won't get until Monday, so I will have to forward to my mentor Isis anyway. With Isis sick and Ralph (my other co-cubicle journalist) away, I didn't have a great deal too do. The editor had given me these three story when I arrived and I had finished them by 12. I checked to see if there were any other stories or little snippets I could help her with but most of the stuff had been taken care of. So to help fill in the time I did three CD reviews, which was fine by me. :)
I have acquired a new goal however...I have noticed my last two published articles (longer pieces between 200-400 words) have been sufficiently edited. Most of the changes were structual with the order of paragraphs being re-arranged. However, in both instances my lead had been pulled from a later paragraph. So my goal for the duration of my internship is to stop BURYING the lead, and if possible have very few or...possibly even no changes to my published work. I am not disappointed by the changes, in fact I am glad I have something to work on. After all this is what this internship is about, learning and bettering yourself as a writer. While this week was comparatively quiet, I have a sneaking suspicion that next week will be much busier. Until next week folks....
Monday, August 24, 2009
Happy Days review
While classic Reggae lyrics focus on poverty and political suppression, Lymie Murray’s debut album Happy Days has made its way into the light. When most people think of Reggae music, they think of Bob Marley’s infamous Legends album. What most people don’t realise however is that Reggae music has been growing and developing since Marley’s sixties release. As the title hints, Murray’s Happy Days is filled with lyrics of pretty girls, longing, and good times.
Murray’s velvet voice hugs around that rich horn and tinkling pianos that emerge through the guitars, bass and drums that ground the sound. Murray has stayed true to his roots by keeping the Reggae signature sound of focussing on the offbeat. However, he has also decided to push the genre’s boundaries. “I’ll take care of you” for instance, has a cool Rn’B vibe, a slick beat that moves in a circular motion that would fit perfectly into any low lit luxury bar.
Happy Days is a smooth album that passes through romantic tides as Murray yearns for the company of his current flame. This is not a painful; “I would do anything for love” kind of longing however, Murray is clearly too laid back for such Meat Loaf-ian acts of drama. Instead Murray comes from a more organic place, working from an internal paradise as optimistic phrases spills out through the speakers, leaking into your ears. “Happy days are here to stay” he sings, from his state of cemented euphoria.
Each track flows effortlessly into the next, helping creating a chilled ‘ain’t got no problems’ atmosphere. This is no cheesy Tiki shirt wearing, pina colada sipping album. Positive vibes and moving beats are presents, but it isn’t contrived, Murray is operating from an authentic front. While most artists use the struggle of pre-recording days to fuel the fire of their debut album, Murray instead offers the refreshing attitude of gratitude. Acknowledging his fortunate life, Murray sings “Got my wife, got my family, peace and love was bestowed upon me.”
While Happy days is largely upbeat, “Love we had” gives diversity to the album by allowing a darker shade to come in. Murray sings of a lost love he can not let go of, “love we had stays on my mind.” Regret seeps in as it dawn on Murray that he’s let go of a good thing singing “you meant more than I realised.” “Love we had” is cleverly followed by the album’s title track “Happy days” bringing back good vibrations.
“Everytime I touch you” features a melodic hook that gets you straight away. Murray’s heartache is expressed through his flawless vocals that remain smooth but feature a thronging intensity. It is pretty much impossible to listen to this without at least doing a head bop. Murray fleetingly shows off his falsetto (which appears to be done with ease) on this and others tracks. Happy days is a soulful ensemble that would easily thread any event together, weaving amongst its listeners and looping them together in contentment.
Murray’s velvet voice hugs around that rich horn and tinkling pianos that emerge through the guitars, bass and drums that ground the sound. Murray has stayed true to his roots by keeping the Reggae signature sound of focussing on the offbeat. However, he has also decided to push the genre’s boundaries. “I’ll take care of you” for instance, has a cool Rn’B vibe, a slick beat that moves in a circular motion that would fit perfectly into any low lit luxury bar.
Happy Days is a smooth album that passes through romantic tides as Murray yearns for the company of his current flame. This is not a painful; “I would do anything for love” kind of longing however, Murray is clearly too laid back for such Meat Loaf-ian acts of drama. Instead Murray comes from a more organic place, working from an internal paradise as optimistic phrases spills out through the speakers, leaking into your ears. “Happy days are here to stay” he sings, from his state of cemented euphoria.
Each track flows effortlessly into the next, helping creating a chilled ‘ain’t got no problems’ atmosphere. This is no cheesy Tiki shirt wearing, pina colada sipping album. Positive vibes and moving beats are presents, but it isn’t contrived, Murray is operating from an authentic front. While most artists use the struggle of pre-recording days to fuel the fire of their debut album, Murray instead offers the refreshing attitude of gratitude. Acknowledging his fortunate life, Murray sings “Got my wife, got my family, peace and love was bestowed upon me.”
While Happy days is largely upbeat, “Love we had” gives diversity to the album by allowing a darker shade to come in. Murray sings of a lost love he can not let go of, “love we had stays on my mind.” Regret seeps in as it dawn on Murray that he’s let go of a good thing singing “you meant more than I realised.” “Love we had” is cleverly followed by the album’s title track “Happy days” bringing back good vibrations.
“Everytime I touch you” features a melodic hook that gets you straight away. Murray’s heartache is expressed through his flawless vocals that remain smooth but feature a thronging intensity. It is pretty much impossible to listen to this without at least doing a head bop. Murray fleetingly shows off his falsetto (which appears to be done with ease) on this and others tracks. Happy days is a soulful ensemble that would easily thread any event together, weaving amongst its listeners and looping them together in contentment.
Friday, August 21, 2009
Week three of Internship
For the most part my third week as an intern was very relaxed. I only had one interview with the Townsville Brass Broadway left over from the week before which I had to complete, and then a few CD reviews I did in my first week that I wanted to fix up. Ridiculously I stayed up late on Thursday night re-reading reviews from my back issue of Rolling Stone, in an attempt to improve my writing abilities over night. I have no doubt that it worked. When I arrived at the Bulletin I fixed up my first CD review with a psychotic amount of attention! I spent 50 minutes on 170 words - ridiculous! I then got sent a media release by the features editor on a play called "Thursday's child." Things went very smoothly, I rang the number on the press release and the PR woman put me in contact with one of the actors in the play. Fortunately my interviewee was not shy and she gave some great quotes. I had written most of the story before I had even done the interview, so I just had to slot her quotes in and the piece was done. The PR rep also emailed me a great photo so I didn't even have to book a photo session!
The only other story I had was the Townsville Brass Broadway society. Now, I rang them every 20 minutes for the entire day last Friday - having to set up the recorder each time – and got nothing. I was not going to do that today. I rang once, after setting up the recorder, and it went straight to message bank. I decided to ring a second time 20 minutes later, but I didn’t both setting up the recorder, and what do you know! THEY ANSWER THE PHONE!! I then looked rather un-professional, apologising and asking them to hold on while I attach a mic to the phone. Then it turns out that the guys I'm talking to tells me a little bit about the production, but he really doesn't have much to say. Thankfully he promises to put me in contact with someone more informative. The mystery interviewee will call ME soon, he says. I fixed up the remainder of my reviews rather quickly and by now its 2:30pm and my phone has not rung. I decided to write a little blurb from the information I do have, just so I have something.I decided to ring the first bloke again. He apologises and says he forgot but he will ring mystery interviewee right now and I will get a call soon. Alright then...
By 3:15 I still hadn't heard back from the Brass Broadway society, and to be honest I was sort of hoping I won't. I don't really want to stay longer than necessary. Being a uni student = being a waitress so it pretty much goes with out saying that every weekend I am doing just that – waitressing (which I realise isn’t a word but forgive me). So obviously it is nice to have a break between the internship and going to work. However, the universe tends to unfold as it should, plus if they don't ring back the story will just get done by someone else on Monday, or not at all. Pretty sure the universe will continue to unfold either way ;)
I filled in the time by doing another CD review, 4’oclock rolled around and the Brass Broadway mystery interviewee hadn’t called. I wrote an email to my mentor (who was there that day) telling her what was happening with the story, and attaching the little blurb that I had written. I also told the features editor but she didn’t seem overly concerned; and so another week of my internship draws to a close.
The only other story I had was the Townsville Brass Broadway society. Now, I rang them every 20 minutes for the entire day last Friday - having to set up the recorder each time – and got nothing. I was not going to do that today. I rang once, after setting up the recorder, and it went straight to message bank. I decided to ring a second time 20 minutes later, but I didn’t both setting up the recorder, and what do you know! THEY ANSWER THE PHONE!! I then looked rather un-professional, apologising and asking them to hold on while I attach a mic to the phone. Then it turns out that the guys I'm talking to tells me a little bit about the production, but he really doesn't have much to say. Thankfully he promises to put me in contact with someone more informative. The mystery interviewee will call ME soon, he says. I fixed up the remainder of my reviews rather quickly and by now its 2:30pm and my phone has not rung. I decided to write a little blurb from the information I do have, just so I have something.I decided to ring the first bloke again. He apologises and says he forgot but he will ring mystery interviewee right now and I will get a call soon. Alright then...
By 3:15 I still hadn't heard back from the Brass Broadway society, and to be honest I was sort of hoping I won't. I don't really want to stay longer than necessary. Being a uni student = being a waitress so it pretty much goes with out saying that every weekend I am doing just that – waitressing (which I realise isn’t a word but forgive me). So obviously it is nice to have a break between the internship and going to work. However, the universe tends to unfold as it should, plus if they don't ring back the story will just get done by someone else on Monday, or not at all. Pretty sure the universe will continue to unfold either way ;)
I filled in the time by doing another CD review, 4’oclock rolled around and the Brass Broadway mystery interviewee hadn’t called. I wrote an email to my mentor (who was there that day) telling her what was happening with the story, and attaching the little blurb that I had written. I also told the features editor but she didn’t seem overly concerned; and so another week of my internship draws to a close.
Thursday's Child Story
Thursday's Child is a moving stage production adapted from the Award winning Australian Novel of the same name.
`Thursday's child is a tale of fate, of surrendering to destiny, of family and hope, but most of all it's a tale of memory,` said Director Sandra Eldridge.
Thursday's Child tells the tale of Tin, a strange and lonely boy who was born on a Thursday.
Set during the Great Depression, the story is narrated by Tin's sister Harper who is in her twenty's and looking back on their shared childhood.`
Thursday's child explores a number of different issues of family and choice but it also looks at hope,` said cast member Kate Worsley.
Thursday's child also discusses fate, have our choices been made for us or do we make the choices in our lives?
As means to escape these harsh times Tin starts digging tunnels under his house, only coming out to eat and sleep.
Becoming a ghost like character, audiences watch as Tin's home collapse due to his underlining tunnel system.
While aimed at a 12+ audience, the play has had wonderful reactions from people of all ages said Kate.
`Audiences really identity with the family, they can relate as economic problems are really relevant to people today,` she said.
Thursday's Child is produced by Monkey Baa, a travelling production making the arts accessible to remote areas.
`We are immensely proud of the work we do and cherish the opportunity to engage with young people in this way,` said co-founder Tim McGarry.
`I think we bring a whole new awakening to their imagination,` said Kate.
Thursday's Child is showing at the Townsville Civic centre Thursday 3 September, 6.30pm and Friday 4 September 9.30am and 12.00pm.
Tickets are $12 and are available from TicketShop 4727 9797
`Thursday's child is a tale of fate, of surrendering to destiny, of family and hope, but most of all it's a tale of memory,` said Director Sandra Eldridge.
Thursday's Child tells the tale of Tin, a strange and lonely boy who was born on a Thursday.
Set during the Great Depression, the story is narrated by Tin's sister Harper who is in her twenty's and looking back on their shared childhood.`
Thursday's child explores a number of different issues of family and choice but it also looks at hope,` said cast member Kate Worsley.
Thursday's child also discusses fate, have our choices been made for us or do we make the choices in our lives?
As means to escape these harsh times Tin starts digging tunnels under his house, only coming out to eat and sleep.
Becoming a ghost like character, audiences watch as Tin's home collapse due to his underlining tunnel system.
While aimed at a 12+ audience, the play has had wonderful reactions from people of all ages said Kate.
`Audiences really identity with the family, they can relate as economic problems are really relevant to people today,` she said.
Thursday's Child is produced by Monkey Baa, a travelling production making the arts accessible to remote areas.
`We are immensely proud of the work we do and cherish the opportunity to engage with young people in this way,` said co-founder Tim McGarry.
`I think we bring a whole new awakening to their imagination,` said Kate.
Thursday's Child is showing at the Townsville Civic centre Thursday 3 September, 6.30pm and Friday 4 September 9.30am and 12.00pm.
Tickets are $12 and are available from TicketShop 4727 9797
Seasick Steve review
Seasick Steve - I started out with nothing and I still got most of it left
SEASICK Steve biggest claim to fame is the fact that he use to tour with Janis Joplin and Joni Mitchell back in the sixties. He has also produced several releases for Modest Mouses, and befriended Kurt Cobain back in the ninties. He is an old blues man who's music would make the ultimate soundtrack toany Louisiana backdrop. Most of the tracks onhis latest album are very laid back and mellow with the tempo only picking up on occasion.While the instruments are relatively sparse with just a bass, tamborine and bottle neckguitar the album is incredibly atmospheric thanks to Steve's southern drawl. The only draw back is the talking at the start ofs ome of the tracks. Fortunately, most of the time Steve lets the music speak for itself.T he closing track `MyYouth` runs for an epic thirteen minutes, and speaks of bitter sweet memories. Like any good blues artist, Seasick Steve sings of the struggle of a working class man, but he does it a pleasing and smoothing manner.
SEASICK Steve biggest claim to fame is the fact that he use to tour with Janis Joplin and Joni Mitchell back in the sixties. He has also produced several releases for Modest Mouses, and befriended Kurt Cobain back in the ninties. He is an old blues man who's music would make the ultimate soundtrack toany Louisiana backdrop. Most of the tracks onhis latest album are very laid back and mellow with the tempo only picking up on occasion.While the instruments are relatively sparse with just a bass, tamborine and bottle neckguitar the album is incredibly atmospheric thanks to Steve's southern drawl. The only draw back is the talking at the start ofs ome of the tracks. Fortunately, most of the time Steve lets the music speak for itself.T he closing track `MyYouth` runs for an epic thirteen minutes, and speaks of bitter sweet memories. Like any good blues artist, Seasick Steve sings of the struggle of a working class man, but he does it a pleasing and smoothing manner.
Attack - Death Engine review
Attack - Death Engine
THRASH metal inspired guitar riffs, machine gun drums and Travis Everett's guttural vocals are the elements that give Death Engine the potential to become a staple in anytruckies collection. This album was made for long distance driving, or any kind of driving for that matter.Death Engine is the Melbourne based band's debut album, featuring 10 tracks of straight up thrash metal, but with a punk rock attitude. 'Cycle of Failure' is perfectly titled as the opening riff moves in a circular motion, rotating beneath the drums and keep the song going. 'Ready to go' is the`catchiest' of all the songs, featuring a killer intro. Allnighter also features a memorable riff with lyrics appropriateto its title.'Sniper' in particular has some insane drumming and a seriously skilled guitarr iff that is just dying to be played live. In fact,the entire album would transfer brilliantly on to any stage. While this album is not groundbreaking, it will please any long haired vagabond.
THRASH metal inspired guitar riffs, machine gun drums and Travis Everett's guttural vocals are the elements that give Death Engine the potential to become a staple in anytruckies collection. This album was made for long distance driving, or any kind of driving for that matter.Death Engine is the Melbourne based band's debut album, featuring 10 tracks of straight up thrash metal, but with a punk rock attitude. 'Cycle of Failure' is perfectly titled as the opening riff moves in a circular motion, rotating beneath the drums and keep the song going. 'Ready to go' is the`catchiest' of all the songs, featuring a killer intro. Allnighter also features a memorable riff with lyrics appropriateto its title.'Sniper' in particular has some insane drumming and a seriously skilled guitarr iff that is just dying to be played live. In fact,the entire album would transfer brilliantly on to any stage. While this album is not groundbreaking, it will please any long haired vagabond.
Matt Joe Gow and The Dead Leave - Review
Matt Joe Gow and The Dead Leaves - The Messenger
The Messenger's sounds distinctly American however, Matt Joe and The Dead Leaves actually hail from Melbourne. Ridiculous name aside the eleven featured songs are well structured with a county/rock feel. While the music does have an obvious country swing, it isn't over powering or annoying. 'The Light' comes across as an organic tale of a father telling his son not to worry, things will work out just fine. Fiddles, a harmonica and hammond organ help add a little extra colour to the standard guitar, bass, and drum line up. 'Land is Burning' has a slightly more dramatic feel, with Matt's vocals dropping and creating a darker mood. 'Things Fall Apart' has a slight row boat feel which stops the songs from sinking into melancholy. There is nothing controversial on this album, instead the focus is on human emotions, fear, lost, memories and the heavy blanket of nostalgia that is draped over each track.
Dinosaur Jr - Farm review
Dinosaur Jr - Farm
Don't let the name fool you Dinosaur Jr is anything but infantile. Having formed back in the 1980s, Dinosaur Jr knows how the game goes. Farm is the band's Ninth studio album, hardcore fans and junior listeners alike are sure to be pleased. The band's slow relaxed industrial sound lay the perfect backdrop to singer Joseph Mascis's melodic drawl. The songs are structure in a multi-layer of melodic grain guitars, and heavy bass that creating the perfect atmosphere for escapism. It is then that Mascis's relaxed voice whispers in and brings you back to earth; but you return with a more relaxed groove and easy going attitude.Guitar solo's on 'Plans' and 'Said the people' are especially worth mentioning, with their soaring scales and picked up pace that manages to invigorate without breaking the chilled groove. Farm is easy listening, with each track moving fluently into the next. The listener is sure to be taken on a ride to another level of consciousness with no hitches along the way.
Don't let the name fool you Dinosaur Jr is anything but infantile. Having formed back in the 1980s, Dinosaur Jr knows how the game goes. Farm is the band's Ninth studio album, hardcore fans and junior listeners alike are sure to be pleased. The band's slow relaxed industrial sound lay the perfect backdrop to singer Joseph Mascis's melodic drawl. The songs are structure in a multi-layer of melodic grain guitars, and heavy bass that creating the perfect atmosphere for escapism. It is then that Mascis's relaxed voice whispers in and brings you back to earth; but you return with a more relaxed groove and easy going attitude.Guitar solo's on 'Plans' and 'Said the people' are especially worth mentioning, with their soaring scales and picked up pace that manages to invigorate without breaking the chilled groove. Farm is easy listening, with each track moving fluently into the next. The listener is sure to be taken on a ride to another level of consciousness with no hitches along the way.
Friday, August 14, 2009
2nd day interning (Part 2)
Part 2
Alright, so I have now successful gotten a telephone recorder and joy of joys it actually works.
It’s true I tested it.
Twice.
The next problem was that it is 9 am in the morning - is it too early to ring someone for an interview?
I fiddle around with papers and mulled over my questions for the next 15 minutes before I gave in. Firstly I rang the produce of local Brass Broadway society, thinking he would be most likely to answer. Nothing. Then I ring vocalist Ebony Buckle, voice mail. My last option is Cairns hip hop artists, a male in his early twenties who raps – oh yeah I’m sure he’ll be awake! I ring anyway and what do you know he picks up straight away! Today is going to be a strange day.
He sounds pretty stoked at the prospect of being interviewed and is more then happy to talk about his album, his enthusiasm resulted in some great and honest quotes. I then had to ring his manager to get some photo sent through to accompany the article. Which he did, however he also had another request; he wanted me to send him a copy of the article… before it was printed. Alarm bells instantly rang in my head, remembering how many a lecture had told me to NEVER do this. I am sure it was JCU email address that gave me away. Damn.
I turned to my fellow office employee and asked “Should I send him the article?” suddenly a disembodied voice sternly and rather loudly confirms my suspensions “NO!”
“God?” I wondered.
Oh no, it’s Jane from the other side of the cubical. Phew. I then promptly write to the manager explaining that my sending him the article was unethical and detrimental to my journalistic integrity but assured him that I had represented his artist in a favourable manner. He understood. After completing this article I got a call from Ebony, asking me if we can do the interview at 12:30, which suited me just fine. Problem was though it is 10:30, I have two hours to kill. I spend these 2 hours ringing the Brass Broadway society…every 20 minutes (but to no avail), tweaking the hip hop story, getting a head start on this weeks blog entry (woo) and drinking a huge mug of coffee.
Fortunately 12:30 finally arrived and I called Ebony for the interview. It was obvious that she was nervous. It was one of those interviews where I asked open questions but only got 1 or 2 sentence answers. It wasn’t until 2/3 of the way through the interview that Ebony started to relax a bit more and give more extensive answers. After the interview was over and I was listening to the recording, I had a bit of an epiphany. Phone interviews got nothing on face to face interviews. As this was a profile piece, I had difficult adding colour and personality to the story. I had no idea what ebony looked like, or the environment she lives in. No witty anecdotes about how her mannerisms mirror her vocal harmonies. However, I heard something much worse on that tape…me.
Me going, ummmmmm, ahhhhhh, oh sorry just checking over my questions…. Don’t mind me I’m just writing - whenever there was a long silence. Of course, you would not have to say these things in a face to face interview, she can see that your writing. I think face to face is easier too, you can see who you are talking to, there is eye contact and it is more personal. Telephone interviews on the other hand are colder, and to be honest much shorter. When you make the effort to hall yourself up and go interview someone, you expect to talk for longer then 2 or 3 minutes. Unfortunately though, I don’t have the time to actually conduct face to face interviews they have to be over the phone. So I think I definitely need to get my act together and try and make this work. Luckily I have 10 more weeks to work on that.
By the end of the day I still hadn't made contact with the Townsville Brass Broadway. Oh wells, can't have everything I suppose. At least I got two interviews and stories done today which is more then what happened last week. Week two down, ten more to go.
2nd day at internship (Part 1)
While it might sound strange, I am pretty sure I was more nervous on my second day of interning then I was on my first!
My mentor Isis was not in on that day and so I knew I would be flying solo with any decision I had to make. I had received an email from Isis on Thursday detailing what my story I had to complete the following day. I had to conduct an interview with local Townsville Brass Broadway, a local hip hop artist Vixed Versa and another vocalist Ebony Buckle. I also had to book photo sessions for each interviewee.
As soon as I read the email I started to get anxious. In an attempt to settle my nervous I read through the relevant bio, poster and media releases Isis had attach to her email. I then went about plotting what questions I was going to ask. Thankfully I had already decided on what I was going to do with the Ebony Buckle interview last week so that part was done. After setting my alarm for 7:30 I went to bed Thursday night with butterfly in my stomach that would not settle. What if the interview only goes for 5 minutes and I can’t flesh out the story to make 300 or 400 words? What if I conduct the interviews but run out of time to write them? Consequently I then started to plan how I was going to use my 7.5 hrs. Ok first I will interview Townsville Broadway type up the story and interview hip hop artist before lunch, then I will complete the other stories and interviews in the afternoon. Or maybe blah blah blah blah YOUR CRAZY!!!
Won’t you know it that I woke up in the morning, slightly disorientated, rolled over to go back to sleep before the alarm in my brain screamed “You have your internship today!” I looked at my phone and realised it was 8:00! I must have woken up at 7:30 because of my alarm turned it off and gone back to sleep. I have no recollection of this but I assume this is what happened. I flung myself out of bed, through on my clothes (which I had picked out the night before thank god!) and sprinted around the house in a made panic getting ready. I sculled my coffee with the same enthusiasm people reserve for Jagerbombs on their 21st Birthday. I arrived at the Bulletin 15 minutes early...
And thank God for that because it took 15 minutes and the help of head feature editor to log me into the computer…because I had left caps lock on the entire time….idiot…. I then realised that the telephone recording device was no-where to be found, so I then had to go ask the chief of staff if I could burrow hers. You would think that all this opportunities to talk with staff members would result in me remembering their names. Nope, haven’t got a bloody clue…sorry. As you can see I have already written 550 words about my second day interning and I haven’t even gotten to the part where I actual do some work.
My mentor Isis was not in on that day and so I knew I would be flying solo with any decision I had to make. I had received an email from Isis on Thursday detailing what my story I had to complete the following day. I had to conduct an interview with local Townsville Brass Broadway, a local hip hop artist Vixed Versa and another vocalist Ebony Buckle. I also had to book photo sessions for each interviewee.
As soon as I read the email I started to get anxious. In an attempt to settle my nervous I read through the relevant bio, poster and media releases Isis had attach to her email. I then went about plotting what questions I was going to ask. Thankfully I had already decided on what I was going to do with the Ebony Buckle interview last week so that part was done. After setting my alarm for 7:30 I went to bed Thursday night with butterfly in my stomach that would not settle. What if the interview only goes for 5 minutes and I can’t flesh out the story to make 300 or 400 words? What if I conduct the interviews but run out of time to write them? Consequently I then started to plan how I was going to use my 7.5 hrs. Ok first I will interview Townsville Broadway type up the story and interview hip hop artist before lunch, then I will complete the other stories and interviews in the afternoon. Or maybe blah blah blah blah YOUR CRAZY!!!
Won’t you know it that I woke up in the morning, slightly disorientated, rolled over to go back to sleep before the alarm in my brain screamed “You have your internship today!” I looked at my phone and realised it was 8:00! I must have woken up at 7:30 because of my alarm turned it off and gone back to sleep. I have no recollection of this but I assume this is what happened. I flung myself out of bed, through on my clothes (which I had picked out the night before thank god!) and sprinted around the house in a made panic getting ready. I sculled my coffee with the same enthusiasm people reserve for Jagerbombs on their 21st Birthday. I arrived at the Bulletin 15 minutes early...
And thank God for that because it took 15 minutes and the help of head feature editor to log me into the computer…because I had left caps lock on the entire time….idiot…. I then realised that the telephone recording device was no-where to be found, so I then had to go ask the chief of staff if I could burrow hers. You would think that all this opportunities to talk with staff members would result in me remembering their names. Nope, haven’t got a bloody clue…sorry. As you can see I have already written 550 words about my second day interning and I haven’t even gotten to the part where I actual do some work.
Monday, August 10, 2009
Personal reflection
To list a few adjectives that describe myself, I would have to say;
On the other hand, some of my weaknesses are grammar and spelling (both of which I have to work hard at to get right), nerves can creep up (but I don't let them stop me), self-doubt and I can go through periods of lethargy. Another weakness of mine is that I have absolutely NO TACT! I can at times come across as rude because of my bluntness but this definitely something I am working on.
In terms of my career I believe I want to be known for being well prepared especially in terms of background information, asking original questions and presenting a different side of my interviewee. I want to be able to create an environment within my writing that takes my reader "somewhere else." Personally, I want to be known as someone who is friendless, loyal, insightful and generally someone who brings enjoyment to the lives of others.
- Reliable
- Creative
- Punctual
- Curious
- Thoughtful
- Loyal
- Blunt
On the other hand, some of my weaknesses are grammar and spelling (both of which I have to work hard at to get right), nerves can creep up (but I don't let them stop me), self-doubt and I can go through periods of lethargy. Another weakness of mine is that I have absolutely NO TACT! I can at times come across as rude because of my bluntness but this definitely something I am working on.
In terms of my career I believe I want to be known for being well prepared especially in terms of background information, asking original questions and presenting a different side of my interviewee. I want to be able to create an environment within my writing that takes my reader "somewhere else." Personally, I want to be known as someone who is friendless, loyal, insightful and generally someone who brings enjoyment to the lives of others.
Friday, August 7, 2009
First Day as an Intern
Hi everybody,
So today was my first day interning at the Townsville Bulletin. I was based in the Entertainment section of the paper, which is responsible for pull out sections “The Guide” and “Savvy.”
I was firstly shown around the building (which strangely resembled the Maze featured in ‘The Shinning’) and met all the relevant people (of which there were many). I was then given my first assignment for the day; a phone interview with Sydney based DJ Beni. I read through the media release and relevant bio material in order to form my questions. However, apparently the world didn’t want the story to go ahead.
Beni’s manager (who is getting married tomorrow and under a great deal of stress) could not get hold of the DJ. So by 4 o’clock it was pretty well assumed that the story would forever be nothing more then 15 un-answered question on a lose sheet of refill paper.
My next task was to write an article on the Townsville Oratorio Choir and book a photo time with the group. With an extensive media release given, I only had to spend five minutes on the phone with my interviewee in order to gather some good quotes. As it was over the phone, I had to use a special recording device that literally just sticks onto the phone like a suction cup. The interview went well but when I played back the recording, there was nothing but feedback! Luckily I had been taking notes during the interview, so I was able to use my scribble and complete the story.
My next assignment was to contacted local vocalist Ebony Buckle who is going away to study at the Academy of Performing Arts in London. “The Guide” wanting to do a feature on the performer, as they had previously done articles on her. I was able to knuckle down an appointment time for a photo session and organised the interview next Friday. Which by the way I have already research and formulated my questions (she said with a humble air).
The rest of the afternoon was spent reviewing CDs. This felt very comfortable to me as my ultimate goal in life is to work at one of the major Music/Rock magazines in either the UK (Kerrang or Hammer Magazine) or in America (Alternative Press or the holy grail Rolling Stone Magazine.)
While there were a few hiccups between getting people on the phone and technological difficulties, I still thoroughly enjoyed my first day. I certainly did have to ask a few questions of my mentor Isis, but for the most part I felt quite comfortable book photo sessions into the computer, submitting articles and taking the initiative to ring up my interviewees without having to be prompted.
Oh, and by the way I got to keep all the CDs that I reviewed….Nice…J
So today was my first day interning at the Townsville Bulletin. I was based in the Entertainment section of the paper, which is responsible for pull out sections “The Guide” and “Savvy.”
I was firstly shown around the building (which strangely resembled the Maze featured in ‘The Shinning’) and met all the relevant people (of which there were many). I was then given my first assignment for the day; a phone interview with Sydney based DJ Beni. I read through the media release and relevant bio material in order to form my questions. However, apparently the world didn’t want the story to go ahead.
Beni’s manager (who is getting married tomorrow and under a great deal of stress) could not get hold of the DJ. So by 4 o’clock it was pretty well assumed that the story would forever be nothing more then 15 un-answered question on a lose sheet of refill paper.
My next task was to write an article on the Townsville Oratorio Choir and book a photo time with the group. With an extensive media release given, I only had to spend five minutes on the phone with my interviewee in order to gather some good quotes. As it was over the phone, I had to use a special recording device that literally just sticks onto the phone like a suction cup. The interview went well but when I played back the recording, there was nothing but feedback! Luckily I had been taking notes during the interview, so I was able to use my scribble and complete the story.
My next assignment was to contacted local vocalist Ebony Buckle who is going away to study at the Academy of Performing Arts in London. “The Guide” wanting to do a feature on the performer, as they had previously done articles on her. I was able to knuckle down an appointment time for a photo session and organised the interview next Friday. Which by the way I have already research and formulated my questions (she said with a humble air).
The rest of the afternoon was spent reviewing CDs. This felt very comfortable to me as my ultimate goal in life is to work at one of the major Music/Rock magazines in either the UK (Kerrang or Hammer Magazine) or in America (Alternative Press or the holy grail Rolling Stone Magazine.)
While there were a few hiccups between getting people on the phone and technological difficulties, I still thoroughly enjoyed my first day. I certainly did have to ask a few questions of my mentor Isis, but for the most part I felt quite comfortable book photo sessions into the computer, submitting articles and taking the initiative to ring up my interviewees without having to be prompted.
Oh, and by the way I got to keep all the CDs that I reviewed….Nice…J
Wednesday, August 5, 2009
The following is a feature based on pub music. Enjoy!
It is Friday night and you are standing in a pub chatting with your best mate, twirling a coaster under your hand and taking regular sips from your beer. Then you hear the band play the unmistakable opening notes of Shania Twain’s “Man I feel like a woman.” Audible groans circulate around the room, however, by the time the first chorus rolls around the dance floor is filled.
“Its something I call a floor filler” says Scott Robson member of local Townsville band Two-iffik.
These “floor fillers” are usually geared toward the female half of the audience, “I find that if you keep the women happy they bring a good mood to the place.”
“You find the more women you get having a good time, then the guys will start having a good time,” he says.
Two-iffik is a regular fixture in the Townsville music scene, “I would describe us as a two man twenty piece band,” laughs Scott.
Two-iffik plays both outdoor gigs including festivals as well as regular pub gigs at both Irish Finnegan’s and The Cowboys League Club.
“We have been around Townsville for quite some time though, so we have pretty much played everywhere.”
When playing at these different venues, Scott says it is important to be aware of the audience.
“Finnegan’s is very much a party place so we will do 4 hours without a break. Cowboys Club is a different demographic altogether; the patrons tend to be middle aged so we tailor what we do for the specific crowd,” he says.
It is amazing how live music has continued to have a presence in local pubs and venues.
“Live entertainment brings a degree of uncertainty,” he says.
“The crowd does not really know what their going to get and there is a level of interaction that you don’t get from video or CD music,’
“I think live music also brings more of a focus. If you are just playing video music or CD music then there is no focal point for the bar itself,” Scott says.
When arriving at a venue the first thing Scott will do is “see whose there, what sort of crowd I have to work with.”
“If it is all blokes for example then you would probably play middle of the road pub rock, like Paul Kelly, the Eagles, that sort of stuff.”
It is clear that Two-iffik’s aims are to both entertain the crowd and give them a good night.
“I have been at venues where there have been a lot of fights and things as a result of the music they are playing,” says Scott.
“I find that most of the time they [the band playing] are appealing to their own ego and if they are not trying to work the crowd then what is the point of them being there,” he says.
When it comes to entertaining the crowd Scott does like to go all out.
Props like false teeth for country numbers, silly glasses when covering The Proclaimers and even doing a rendition of “The Rainbow Connection” with voices from The Muppets, have all been incorporated into Two-iffik’s act.
“You know it gets a laugh, and you keep people entertained. We try to entertain as much as we do perform,” says Scott.
It is this characteristic that has venues such as Irish Finnegan’s booking the band for 12 monthly increments.
“Two-iffik gets the best response” says Irish Finnegan’s manager Wayne Milne.
Similarly, Wayne also believes that live music is very important in creating an atmosphere at pubs and certainly prefers it over alternative forms, such as video music.
“People love live music, and the band selection brings a lot of people to the venue,” says Wayne.
“We have recently introduced a lounge band in the restaurant for people who want more laid back easy listening stuff as opposed to the bopper songs that are played in the public bar,” he says.
“We are trying to create two different atmospheres.”
“People are responding really well. The lounge band is drawing out its own crowd, and we are slowly but surely changing people’s idea of music,” says Wayne.
At Flynn’s Irish Bar in the city, live music is always a regular feature.
“That is why people come here, because we have live music. It’s what we are known for,” says Lynn Flynn, manager for the past eight years.
With live music appearing on the bill six nights a week, it is easy to see why Flynn’s is known for their live entertainment.
Acoustic jams are held every Tuesday night and Karaoke on Wednesdays, Thursday and Sunday have solo artists and full bands on Friday and Saturday night.
There have been some inevitable disasters over the years with P.A system failing just before a band started playing or worse.
“We had a band a few years ago that we nearly asked to stop because they were that bad,” she says.
Disasters aside, it is evident that live music will always be a venue’s preferred option for creating atmosphere and entertaining patrons.
This is good news for Townsville bands that rely on these venues for both monetary and sanity reasons.
“I can’t imagine not doing it. It would be like losing a limb,” says Scott.
Townsville pubs continue to be filled with patrons who are happy to be entertained by live musicians, even if they do play Shania Twain.
“Its something I call a floor filler” says Scott Robson member of local Townsville band Two-iffik.
These “floor fillers” are usually geared toward the female half of the audience, “I find that if you keep the women happy they bring a good mood to the place.”
“You find the more women you get having a good time, then the guys will start having a good time,” he says.
Two-iffik is a regular fixture in the Townsville music scene, “I would describe us as a two man twenty piece band,” laughs Scott.
Two-iffik plays both outdoor gigs including festivals as well as regular pub gigs at both Irish Finnegan’s and The Cowboys League Club.
“We have been around Townsville for quite some time though, so we have pretty much played everywhere.”
When playing at these different venues, Scott says it is important to be aware of the audience.
“Finnegan’s is very much a party place so we will do 4 hours without a break. Cowboys Club is a different demographic altogether; the patrons tend to be middle aged so we tailor what we do for the specific crowd,” he says.
It is amazing how live music has continued to have a presence in local pubs and venues.
“Live entertainment brings a degree of uncertainty,” he says.
“The crowd does not really know what their going to get and there is a level of interaction that you don’t get from video or CD music,’
“I think live music also brings more of a focus. If you are just playing video music or CD music then there is no focal point for the bar itself,” Scott says.
When arriving at a venue the first thing Scott will do is “see whose there, what sort of crowd I have to work with.”
“If it is all blokes for example then you would probably play middle of the road pub rock, like Paul Kelly, the Eagles, that sort of stuff.”
It is clear that Two-iffik’s aims are to both entertain the crowd and give them a good night.
“I have been at venues where there have been a lot of fights and things as a result of the music they are playing,” says Scott.
“I find that most of the time they [the band playing] are appealing to their own ego and if they are not trying to work the crowd then what is the point of them being there,” he says.
When it comes to entertaining the crowd Scott does like to go all out.
Props like false teeth for country numbers, silly glasses when covering The Proclaimers and even doing a rendition of “The Rainbow Connection” with voices from The Muppets, have all been incorporated into Two-iffik’s act.
“You know it gets a laugh, and you keep people entertained. We try to entertain as much as we do perform,” says Scott.
It is this characteristic that has venues such as Irish Finnegan’s booking the band for 12 monthly increments.
“Two-iffik gets the best response” says Irish Finnegan’s manager Wayne Milne.
Similarly, Wayne also believes that live music is very important in creating an atmosphere at pubs and certainly prefers it over alternative forms, such as video music.
“People love live music, and the band selection brings a lot of people to the venue,” says Wayne.
“We have recently introduced a lounge band in the restaurant for people who want more laid back easy listening stuff as opposed to the bopper songs that are played in the public bar,” he says.
“We are trying to create two different atmospheres.”
“People are responding really well. The lounge band is drawing out its own crowd, and we are slowly but surely changing people’s idea of music,” says Wayne.
At Flynn’s Irish Bar in the city, live music is always a regular feature.
“That is why people come here, because we have live music. It’s what we are known for,” says Lynn Flynn, manager for the past eight years.
With live music appearing on the bill six nights a week, it is easy to see why Flynn’s is known for their live entertainment.
Acoustic jams are held every Tuesday night and Karaoke on Wednesdays, Thursday and Sunday have solo artists and full bands on Friday and Saturday night.
There have been some inevitable disasters over the years with P.A system failing just before a band started playing or worse.
“We had a band a few years ago that we nearly asked to stop because they were that bad,” she says.
Disasters aside, it is evident that live music will always be a venue’s preferred option for creating atmosphere and entertaining patrons.
This is good news for Townsville bands that rely on these venues for both monetary and sanity reasons.
“I can’t imagine not doing it. It would be like losing a limb,” says Scott.
Townsville pubs continue to be filled with patrons who are happy to be entertained by live musicians, even if they do play Shania Twain.
Profile of Tracy Osmond vocalist in Townsville based band Abbey Road
The spotlight is on you, blinding you to the audience, but you know they are there watching you. With a skintight dress on and enough hairspray to punch a hole through the ozone layer, you approach the mike stand to belt out the Tina Turner classic “You’re simply the best.”
Suddenly, you realise that you do not remember a single lyric. The only sound coming from the stage is the click of your heels as you step back. Then you hear a voice say “You’re on” and you are shoved back into the light.
“I remember thinking God if there was ever a time I needed you it’s now!” says Tracey Osmond lead vocalist of local band Abbey Road.
“I don’t know how it happened but I just opened my mouth and the words came out.”
Luckily for Tracey disasters such as this have been a rarity.
After being in over 15 bands, Tracey certainly knows her way around a stage. Growing up in a house where her Dad’s band was constantly meeting for rehearsals and her mum was always singing, Tracey says she never had a music ‘aha’ moment. “Joining a band was just what you did in our family,” she says.
Having such strong musically roots certainly paid off. At the age of 22 Tracey received a pivotal phone call from New Zealand band Mr President. They were greatly impressed by one of her performance at the Seaview Hotel in town and invited her to become apart of their act.
Mr President had secured the position as the house band for a club in Rockhampton. As Tracey lived in Townsville, she was flown down every Friday night and flown back every Monday morning.
“It was amazing having that much money spent on me. The fact that I brought so much to the band that it warranted spend that much money…” says Tracey as she rolls her eye in disbelief.
“It was pretty huge.”
“Being this little girl from Townsville who gets flown out every weekend to perform with a band to crowds of 2000 was absolute amazing! It was a complete fairytale,” she recalls.
Eventually Mr President went on to compete at the Yamaha MTV awards where they came runners up.
“We were this close,” Tracey says laughing.
If you are having a hard time imagining what Tracey sounds like, chances are you have already heard her sing. “I’ve got hundreds of jingles out there” she says as she burst into a live demonstration of the television jingle for “Superior Patio Systems.”
She has even worked in clubs on the same night as The Angles and Jimmy Barnes, though she is quick to brush those tales to the wayside in preference for what is happening now.
What Tracey is truly passionate about these days is teaching. “I was never trained so I had a lot of problems,” she says.
After losing her voice at 22, Tracey started to rebuild it herself by seeking out private teachers, studying at the South Bank Conservatorium and completing a degree in vocal pedagogy.
“My goal is to teach kids how to use their voice so that it holds up when they are playing clubs and shows.”
Tracey now teaches nine till five every day and has built a school with over 70 students.
“I also have another teacher with me and she has 22 students of her own,” she says proudly.
“It’s a real full circle, going out into these bars and seeing my own students up there performing,” says Tracey.
“It’s my passion now, maybe even more then singing.”
While Tracey’s current band Abbey Road is in high demand for club work, corporate events and performances at Cowboys games, she says that her favourite gig is the Special Children’s Christmas Party each year.
“When I get on stage, I feel completely overwhelmed, like it is the most magical moment of my life. I feel that every year and I have been doing it for eight years. You really count your blessings,” she enthuses.
Though Tracey loves standing in the spotlight, microphone in hand, it is teaching that has proven to be her greatest passion. At least in the safety of her home studio, it’s no big deal if she forgets the lyrics.
Suddenly, you realise that you do not remember a single lyric. The only sound coming from the stage is the click of your heels as you step back. Then you hear a voice say “You’re on” and you are shoved back into the light.
“I remember thinking God if there was ever a time I needed you it’s now!” says Tracey Osmond lead vocalist of local band Abbey Road.
“I don’t know how it happened but I just opened my mouth and the words came out.”
Luckily for Tracey disasters such as this have been a rarity.
After being in over 15 bands, Tracey certainly knows her way around a stage. Growing up in a house where her Dad’s band was constantly meeting for rehearsals and her mum was always singing, Tracey says she never had a music ‘aha’ moment. “Joining a band was just what you did in our family,” she says.
Having such strong musically roots certainly paid off. At the age of 22 Tracey received a pivotal phone call from New Zealand band Mr President. They were greatly impressed by one of her performance at the Seaview Hotel in town and invited her to become apart of their act.
Mr President had secured the position as the house band for a club in Rockhampton. As Tracey lived in Townsville, she was flown down every Friday night and flown back every Monday morning.
“It was amazing having that much money spent on me. The fact that I brought so much to the band that it warranted spend that much money…” says Tracey as she rolls her eye in disbelief.
“It was pretty huge.”
“Being this little girl from Townsville who gets flown out every weekend to perform with a band to crowds of 2000 was absolute amazing! It was a complete fairytale,” she recalls.
Eventually Mr President went on to compete at the Yamaha MTV awards where they came runners up.
“We were this close,” Tracey says laughing.
If you are having a hard time imagining what Tracey sounds like, chances are you have already heard her sing. “I’ve got hundreds of jingles out there” she says as she burst into a live demonstration of the television jingle for “Superior Patio Systems.”
She has even worked in clubs on the same night as The Angles and Jimmy Barnes, though she is quick to brush those tales to the wayside in preference for what is happening now.
What Tracey is truly passionate about these days is teaching. “I was never trained so I had a lot of problems,” she says.
After losing her voice at 22, Tracey started to rebuild it herself by seeking out private teachers, studying at the South Bank Conservatorium and completing a degree in vocal pedagogy.
“My goal is to teach kids how to use their voice so that it holds up when they are playing clubs and shows.”
Tracey now teaches nine till five every day and has built a school with over 70 students.
“I also have another teacher with me and she has 22 students of her own,” she says proudly.
“It’s a real full circle, going out into these bars and seeing my own students up there performing,” says Tracey.
“It’s my passion now, maybe even more then singing.”
While Tracey’s current band Abbey Road is in high demand for club work, corporate events and performances at Cowboys games, she says that her favourite gig is the Special Children’s Christmas Party each year.
“When I get on stage, I feel completely overwhelmed, like it is the most magical moment of my life. I feel that every year and I have been doing it for eight years. You really count your blessings,” she enthuses.
Though Tracey loves standing in the spotlight, microphone in hand, it is teaching that has proven to be her greatest passion. At least in the safety of her home studio, it’s no big deal if she forgets the lyrics.
Subscribe to:
Posts (Atom)